I begin Day 4 in absentia. I drive to the
airport to pick up two UK colleagues who will join us for today and
tomorrow. Jeni Smith I have met before
when she worked in University of East Angelia, from where she is now
retired. She is travelling with her colleague
Mari Cruice who works in University of Roehampton. Both are involved in National Writing Project
initiatives in the UK particularly in teachers’ writing groups. Jeni has just published on the work with
Simon Wrigley: Introducing Teachers’
Writing Groups: Exploring the Theory and Practice. Having collected the travellers, we join the
group before coffee and just as participants are about to write feedback for
Jane. Jane’s demo has been on the topic
of reflective practice. She had asked
the group to read a piece the night before and to write about it. She connects this with a flipped classroom
approach. This is our second dip into
reflective writing which is an important part of our professional practice as
teachers.
We have coffee together and as we begin our
work again I admit to being the person who seems to leave us chasing our tails
all week. Deirdre has been facilitating
the morning session and everything has run like clockwork. I confidently declare that we will have lost
any benefit she has accrued and will be behind schedule before long again; I am
not wrong.
Following coffee I seek volunteers for a role-play;
this is later described, unfairly, as pressganging. We will spend the time from coffee to lunch
in our writing groups. Having previously
agreed our guidelines for what might be good practice in writing groups, the coerced
would-be thespians take their place at the front of the room to enact the worst-case
scenario writing group. Deirdre
convincingly portrays a shy reader who has just finished sharing her work. In succession, and relentlessly, she is
subjected to a range of characters including, the obsequious writing group
cheerleader, the grammar and punctuation pedant, the red pen wielding
corrector, the agenda queen, and finally to the participant for whom its all
about her writing, as opposed to anybody else’s. The results are hilarious and we all enjoy
the ease with which our colleagues adopt their roles. No exaggeration is spared in the farcical
portrayal of the writing group from hell.
We break into our own writing groups ready to quell in ourselves any
lurking paler version of the melodramatic characters that we have just seen. At writing group everyone will read their
work and get feedback. The groups will
also decide who will contribute to author’s chair tomorrow.
After lunch Jeni and Mari work with
us. They tell us about how they have
been working with teachers and how they bolster teachers’ and their own
writing. Jeni briefly contextualises the
work before Mari reads her contribution to Jeni and Simon’s book, ‘Hiraeth and
Hinterlands’. This piece is again about
place and about writing; we are captivated not least by the rich snippets of
Welsh. Jeni and Mari lead us through the
afternoon with writing and reflection.
Jeni asks us to write down 7 words we like or that we find
interesting. We then articulate these in
canon around the room listening for spontaneous rhythms and unplanned
musicality in the words as they move and connect. We consider the ‘rights of writers’. We hear, from Jeni and Mari, of the impact on
teachers that the writing groups have had.
Those groups, like SWIFT, seem transformative for participants. It is inspiring and enthusing to hear from
our UK colleagues about their work; I am so glad they have made the effort to
join us.
We finish Day 4 with only one day left; we
are freewheeling to the finish line!
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